Sunday, May 26, 2013

For Life's Up's and Down's

I said a little Prayer today
To God up high above
I didnt ask for many things
Just His continual Love
I asked Him to take Care of you
To offer you some Peace
To bring you Comfort at this time
And to never, ever cease.
I asked Him to help guide you
Over the rocky road you tread
To show you some improvement
In the troubled times ahead.
I know for sure He heard me
Because He always hears our Prayers
He listens to every one of us
And He will show you that He Cares

Biography
Poetry
I have been writing poetry for many years and regularly have it published in print. My poetry is published by Forward Press and in many other publications. So I'm now putting my poetry online. I publish my poetry on my Blog jo-hale-poetry at http://jo-hale-poetry.blogspot.com/ and on 8hop.com My poetry on 8hop.com. I also have information about my poetry at http://www.squidoo.com/jo-hale-poetry. I'm married to my husband Pete r. I was born in May 1970 and am a Taurean star sign.
Age: 36
Gender: female
Astrological Sign: Gemini
Zodiac Year: Dog
Industry: Publishing
Occupation: poet
Location: Bristol England, United Kingdom

Other Interests
Reading poetry cinema animals music photography WW2 stories & memorabelia Day trips quizzes & puzzles.
Favourite Movies
Too many to mention - all depends on my mood. I like comedy thriller romance horror stand up comedy sci-fi etc.
Favourite Books
Again wide range in taste - comedy thriller horror sci-fi fantasy WW2 stories girlie poetry etc


Author:: Joanne Hale
Keywords:: Religion, God, Life, Troubles, Love, the lord, Christian, Prayer, Pray, Peace, Comfort, Care, Caring
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Easter Resurrection Poem

Many cry and wonder why
And seek further insight
From big Daddy in the sky
Not knowing whats going on
Having nobody upon whom to hold on
When the church service is over
And all have come and gone.

Once the offering has been given
All hands shaken
Smiles exchanged
A remembrance of a few names
Dreams unfulfilled continue to turn within
Waiting incessantly for Christ within
The hope of glory to arise
To burst the bonds
Remove the guise
Fulfill His Word
And all surprise.
This futile life
How can it be
That Christ above
Would lower Himself
To die for me!
Amazing love
Beyond comprehension
That upon the cross
Christ knew painful suspension
Brutal torment
The lashing of whips and tongues
The departure of the Holy Spirit
After which He Himself was numb

Its in the silent moments
When defeat seems evident
That the seed of significance is sown
Th e power of the resurrection grown
The sufferings of Christ fully known
When you seemingly are left all alone
Many dont understand
And are quick to judge
I however care not
Knowing the Judge above
Moreover I judge myself strictly
Examine myself wholeheartedly
Desiring to walk circumspectly
To be godly and live selflessly.

Nevertheless lifes circumstances can be hard
And your faculties they temporarily retard
Making you sluggish as lard
Dulling your senses
Troubling your soul
Effecting all areas of your life
Troubling and taking their toll

Thanks be to God however
The Son did arise
With power, strength and fire in His eyes
Though many did not initially realize
And Him they publicly despised
Yet when He bounced back from defeat
Many hid in fear
Others wondered in amazement
The victimized applauded happily
Counting His resurrection
Their personal victory

It i s my urgent request
That you too personalize Christs triumph
Over death, hell and the grave
For you too He surely
Came to save
His death
Being your life
His breakthrough
Breaking chains for you today!
Liberating you in every way
No matter what you do or say
Christs victory personally appropriated
Can better your day
Illuminate your way
Reverse the curse
Remove the tendency to rehearse
Your personal pain and setbacks
Because in Christ
You too bounce back!
You too are blessed
And can boldly express
His more over your less
His loving-kindness
His mercies countless
His joys boundless
His grace groundless
His Spirit measureless
So before you digress or regress
Consider Gods profoundness
To turn Christs sorrow
Into your joy
His pain
Into your gain

His minus
Into your plus
So why therefore all the fuss?
Remove your eyes from yourself
And look up to heaven
Where your help comes from
Get a proper perspective
And from your troubles
No more shall you run
Now is the time
For life to become fun
And like Christ our example
You too shall mightily overcome!

So arise and take your love
And all you dream of
Disburse it among the nations
Build dreams
And break limitations
Cause countless multitudes abroad
To be touched and transformed
Because of Christs crucifixion
And glorious resurrection!

In this pain you go
In this power you know
For love is no vain show
Though you try to deny it
It continues to grow
Despite months of neglect
It does not whither
In the face of cruelty and criticism
It remains alive
Though kill it
Or rationalize it away
You try
And outwardly lie
It nags at you within
Not rationalized away
By your psychoanalysis or spin
Christ the hope of glory
Always wins!

By reasoning against love
You cannot win
So this determine
Take this boundless, immeasurable love
And spread it throughout the nations
With it overtake the world
Turn it upside down
Take it beyond the head
Down deep into the heart
Ignite a fire within
From which no soul can depart

Magnify and multiply
This raging inferno in your heart
And erect a monument of love
An eternal work of art
From which even the hardest of hearts
Cannot depart
Let all humanity know
The glorious creation itself does fully show
That though winter may come
It does also go
And is followed by spring
A time to flourish
A time to sing
For Christ surely has arose
And for you will do a new thing.

By Paul Davis

Paul Davis is author of Breakthrough for a Broken Heart a book telling us How to overcome disappointments and blossom into your dreams! He is a Minister, life coach (relati onal & professional), dating expert, popular worldwide keynote speaker, creative consultant, humor being, adventurer, explorer, mediator, liberator and dream-maker.

Paul's compassion for people & passion to travel has taken him to over 50 countries of the world where he has had a tremendous impact. Paul has also brought revival to many in war-torn, impoverished and tsunami stricken regions of the earth. His nonprofit organization Dream-Maker Ministries is building dreams and breaking limitations.

Paul's Breakthrough Seminars inspire, revive, awaken, impregnate with purpose, impart the fire of desire, catapult people into a new level of self-awareness, facilitate destiny discovery and dream fulfillment.

Paul can be contacted at: RevivingNations@yahoo.com - 407-967-7553 or 407-282-1745.

For additional info:
http://www.CreativeCommunications.TV
http://www.BreakthroughSeminars.org
http://www.DreamMakerMinistries.com


Author:: Paul Da vis
Keywords:: Paul Davis,prolific author, keynote public speaker, breakthrough seminars, life coach, Minister,Poet
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Why Write Bad Poetry

For Good Relationships with Yourself

You can write bad poetry, can you not? Why do so? Here are three reasons:

1. If you think it doesn't have to rhyme or be any good, you will write a poem each time you are struck by awe, struck in the gut, struck in the heart for good or bad.

2. If you write some, you will read one of mine. (below) Then you will start a heartfelt relationship with me.

3. You will soon afterward discover what is really important to you in all your relationships.

Many people assume that poetry is hard to understand or boring. Some academic poems are boring because they are simply showing off erudition. But poems about momentous or weird little experiences that strike the poet are wonderful to hear. Some are better than monologues from well known stand-up comics.

Poetry likes a strong feeling and the courage to express it with the power of that feeling. No holding back. Flat out condensation of the moment.

When you write bad poetry you feel gloriously alive. You improve all your relationships.

Eventually, you may re-write and turn your poems into some really good stuff.

Poetry won't make you money, but it will make you rich. Here's one of mine that set me free. See if you can tell how it set me free. If you have any questions, write to me. evycole@hughes.net

CRAVINGS by Evelyn Cole

I want to put out bowls of candy/to welcome every guest/ all kinds of sweets/ dripping with decadence

to offer red wine with legs/ stuffed grape leaves, Retsina, Italian prawns/carrot flan, Incan fire dip

and succulent salads /chilled ready to serve/ spinach, asparagus, pistachios /all fresh aphrodisiacs

marinated meats/ ready to grill to any taste/ from rare to rubber/ spiced tofu for some

a full shelf of pies Ive just baked /with perfect crusts /Tiramisu and mocha mousse too /and apricot clafoutis

I have a craving for candy I dont eat/a passion for cook ing concoctions others wont touch/ a yearning for money to give it away/

Why?

A craving to please /to ease

Why? A craving to give /to live?

Ah, Do I need to put out /or die?

~~~

That last stanza took me by surprise.

Here is what the former U.S. poet laureate, Stanley Kunitz, says about poetry. It's wild and wonderful.

Saturated with Impulse Stanley Kuntiz from The Braid

So much of the creative life has its source in the erotic. The first impulse is strongly erotic, but then one becomes reflective--a philosophic human being, an explorer--and then as one grows older and older theres a need to renew that energy associated with erotic impulse.

A poet without a strong libido almost inevitably belongs to the weaker category; such a poet can carry off a technical effect with a degree of flourish, but the poem does not embody the dominant emotive element in the life process. The poem has to be saturated with impulse and tha t means getting down to the very tissue of experience. How can this element be absent from poetry without thinning out the poem?

That is certainly one of the problems when making a poem is thought to be a rational production. The dominance of reason, as in eighteenth-century poetry, diminished the power of poetry.

Reason certainly has a place, but it cannot be dominant. Feeling is far more important in the making of the poem. And the language itself has to be a sensuous instrument; it cannot be a completely rational one. In rhythm and sound, for example, language has the capacity to transcend reason; its all like erotic play.

Thats the nature of aesthetic impulse, aesthetic receptivity. Whether youre walking through the garden or reading a poem, theres a sense of fulfillment. Youve gone through a complete chain of experience, changing and communicating with each step and with each line so that you are linked with the phenomenon of time itself. The erotic im pulse is so basic to human experience that we can never be free from it, even in old age.

So, dear reader, go forth and write poetry.

Copyright 2006 Cole's Poetic License

Evelyn Cole, MA, MFA, The Whole-mind Writer
http://www.write-for-wealth.com
evycole@hughes.net
Coles chief aim in life is to convince everyone to understand the power of the subconscious mind and synchronize it with goals of the conscious mind.


Author:: Evelyn Cole
Keywords:: Writing-poetry
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Robert Burns Love Poem: "A Red Red Rose"

Robert Burns, a poor man, an educated man, and a ladies man, is representative of Scotland, much like whisky, haggis, bagpipes, and kilts. He lived a life shortened by rheumatic heart disease, 1759-1796, but his life journey through poverty, informal education, disappointed Love, nationalism, and literary and financial success can be identified by all Scots and common men the world over. He has become almost a national symbol of all things Scottish. His life is like a Love story with a happy ending.

The Poet, Robert Burns

Robert Burnss family raised seven children on sparse, rented farmland on the west coast of Scotland. The family cottage still stands as a proud tourist attraction. The family farm was not successful and the family moved from farm to farm. Life on the farm in western Scotland was harsh and Robert worked long hours with his father.

Burns father recognized the value of education and he managed to hire a local teacher to tutor Robert. He was an extremely bright student, mastering Shakespeare, current poets, French, Latin, philosophy, politics, geography, theology, and mathematics. His father read the Bible during the evenings around the cottage fireplace and Robert became an expert on the Bible and a devout Church member.

Robert Burns wrote his first poem at age 15. The poem was called Handsome Nell and was about his first Love for a girl named Nellie Blair. Throughout his life, Burns was a charming and witty man, attracting the attention of numerous women. A dozen or more women can be identified as the inspiration for various poems. Burns wrote many famous Love poems, including A Red, Red Rose and One Fond Kiss.

Heres an excerpt from Handsome Nell.

O once I Loved a bonnie lass,
Aye, and I Love her still;
And whilst that virtue warms my breast,
Ill Love my handsome Nell.

Burns, in a later comment on this poem, stated that he had never had the least thought or inclination of t urning poet till I got once heartily in Love, and then rhyme and song were, in a manner, the spontaneous language of my heart.

The Turning Point

In 1786, at age 27, Robert Burns went through a major turning point in his life. He suffered a disappointing Love affair with Jean Armour, who was pregnant with his twin sons. The local community and Armours father were outraged by the affair and her father rejected Burnss offer of marriage.

Dejected and depressed, Burns made plans to leave Scotland and sail to Jamaica in the West Indies. To finance the trip, Burns submitted a volume of his Poetry for publication.

The publication of 612 copies in a simple, unbound volume was called Poems, Chiefly in the Scottish Dialect, also sometimes known as The Kilmarnock Edition. The poems were well received in Edinburgh by socialites who were enchanted by the poems and amazed that a poor farmer could write so well.

So, instead of planning his escape to a new world , Burns planned a trip to Edinburgh. His confident manner, ingratiating style, and his obvious wit and intelligence brought Burns popularity and admiration. Soon, a second publication of his work was executed in Edinburgh.

The Growing Popularity

During his stay in Edinburgh, Robert Burns met printer James Johnson, who planned a project to print all of the folk songs in Scotland. This project enthralled Burns and embarked upon a journey throughout Scotland to collect as many folk songs as possible. Burns collected over 300 songs and wrote a few himself, including A Red, Red Rose.

One of the results of his travels throughout Scotland was that Robert Burns ingratiated himself to everyone he met and he rose to national prominence and popularity.

The collected songs were published by Johnson in six volumes and by George Thomson in a five volume set.

Another happy outcome of this turning point in Robert Burnss life is that he was able to return home and marry his beLoved Jean Armour, now with the blessing of her family.

Robert Burns continued to collect and write songs for The Scots Musical Museum, an anthology of traditional Scottish lyrical poems, until his untimely death from rheumatic heart disease in 1796.

Within a few years of his death groups of Robert Burnss friends and fans gathered to promote his memory and to celebrate his life. By 1801, five years after his death, groups met on the anniversary of his death, but later they began to meet on the anniversary of his birth, January 25. Now there are many Burns clubs and societies who celebrate his memory with dinners, including haggis, and readings of his works.

The Poem, A Red, Red Rose

One of the most famous songs that Robert Burns wrote for this project and first published in 1794 was A Red, Red Rose. Burns wrote it as a traditional ballad, four verses of four lines each.

A Red, Red Rose begins with a quatrain containing two simil es. Burns compares his Love with a springtime blooming rose and then with a sweet melody. These are popular poetic images and this is the stanza most commonly quoted from the poem.

The second and third stanzas become increasingly complex, ending with the metaphor of the sands of life, or hourglass. One the one hand we are given the image of his Love lasting until the seas run dry and the rocks melt with the sun, wonderfully poetic images. On the other hand Burns reminds us of the passage of time and the changes that result. That recalls the first stanza and its image of a red rose, newly sprung in June, which we know from experience will change and decay with time. These are complex and competing images, typical of the more mature Robert Burns.

The final stanza wraps up the poems complexity with a farewell and a promise of return.

A Red, Red Rose is written as a ballad with four stanzas of four lines each. Each stanza has alternating lines of four beats, or iambs, and three beats. The first and third lines have four iambs, consisting of an unstressed syllable followed by a stressed syllable, as in da-dah, da-dah, da-dah, da-dah. The second and fourth lines consist of three iambs. This form of verse is well adapted for singing or recitation and originated in the days when Poetry existed in verbal rather than written form.

A Red, Red Rose
by Robert Burns

O my Luve's like a red, red rose.
That's newly sprung in June;
O my Luve's like a melodie
That's sweetly play'd in tune.

As fair art thou, my bonnie lass,
So deep in Luve am I;
And I will Love thee still, my Dear,
Till a'the seas gang dry.

Till a' the seas gang dry, my Dear,
And the rocks melt wi' the sun:
I will Luve thee still, my Dear,
While the sands o'life shall run.

And fare thee weel my only Luve!
And fare thee weel a while!
And I will come again, my Luve,
Tho' it were ten tho usand mile!

*****************************

Garry Gamber is a public school teacher and entrepreneur. He writes articles about real estate, health and nutrition, and internet dating services. He is the owner of http://www.Anchorage-Homes.com and http://www.TheDatingAdvisor.com.


Author:: Garry Gamber
Keywords:: Robert Burns, Love poem, Poetry, A Red Red Rose, Scotland, Love, Luve
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Gerard Manley Hopkins

Gerard Manley Hopkins was born in England in respective family with successful business of his father. It gave him the opportunity to gain very good education which improved and perfected his natural talent. Being very delicate person in nature Hopkins began writing as early as his study at college. His early Poetry was easy and light and assessed well by college teachers. The Hopkins life greatly changed after his converting into Catholicism under the influence of John Henry Newman in 1866. He was completely devoted to the Catholic Church and decided to become a priest. By that time he burnt out all his Poetry.

The poem Spring and Fall was written in 1880 after four years of starting new writing in 1875. His last Poetry is not as aesthetic and beautiful as the early one and that is why it is not so easy to understand. The Poems of the 1880s are the authors philosophical attempts to cognize and describe the only immortal thing in the world human soul. All the Poems are full of religious ideas which Hopkins uses as basis of life sense understanding and instrument of getting prepared to meet the God.

The answer to the question of what we live for is the main idea of Hopkins Poetry. His last Poems answer this question through belief in human affiliation with the Christ deeds, prove of human body mortality and mind and expression of human soul as the only thing to be cared for because it will never die and always be the concurrent part of our God. Hopkins origin is in unusual use of words and their combinations which change the initial and usual meaning of the words: justjustices, playsplaces. The words and phrases repetitions make the poem sound like a song. Such technique is widely used by Hopkins in many Poems. The perfect example of like song poem is Spring and Fall which from the first reading is perceived as nursery childs song due to specific Rhythm and use of questions.

This poem is not a usual childs song that is aimed to console; it is a lesson to direct the young person to immortal thing. Hopkins was unsatisfied with his poem. His great talent and deep ideas could not be caught even by original techniques and Rhythm invented by him. May be Hopkins ideas about human life sense were so bright and limitless that he could not express them with the help of words born in mortal mind

The article was produced by the member of masterpapers.com. Sharon White is a senior writer and writers consultant at Research Papers. Get some useful tips of literature review writing and Custom Research Paper Writing services.


Author:: Sharon White
Keywords: : Hopkins,Poetry,Poems,Poets,spring and summer poem,song Poems,Rhythm
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Saturday, May 25, 2013

Poetry Slams: Performance Plus Art

Performance Artists of all types enjoy the awe and the kudos coming their way from the general public. In return, any concert or performance turns livelier with Audience pArticipation. During the recent decades, more and more Musicians--even those in the classical Music field--have begun to encourage the Audience to sing along or clap to the beat. This behavior has seeped out to other fields such as stand-up comedy and Open-mic Poetry readings.

With these facts in mind, I imagine, the Slam Poetry is succeeding because people are drawn into the magNetism of our Clannish eras when everyone pArticipated in the tribal Dances, telling stories, and sing-along sessions. Truth is, I had not heard of Slams in regard to Poetry, until--in the writing site I belong to--I stArted to pArticipate in the Slam Poetry Cont ests, hosted by two site members: one, a creative writing professor from Chicago and the other an English teacher/Poet from Australia.

Later on, I found out that Slam Poetry was sometimes attacked by the academia with the idea that Slams cheapen the true Art of Poetry. As an answer to this accusation, Slam Poets became more vocal and more organized to make themselves accepted as members of a serious performance Media.

The first Slam Poetry stArted in 1984, in the Get Me High lounge, a Chicago jazz club, by a construction worker named Marc Smith. Two years later, Marc Smith offered a plan to another jazz club, the Green Mill. When the owner accepted Marc Smiths plan of hosting a Poetry competition for performance Poets every Saturday night, the Slam Poetry competition was introduced to the public arena.

Although the opposition to the Poetry Slams still exists, Slams have performed an impressive function in promoting Poetry to the general public. During the l ater years, more Poetry books have been sold and an astonishing number of searches about Poetry have been conducted on the interNet search engines.

Poetry Slams are here to stay because they have pushed Poetry into the livelier world of performance, turning it into an intense experience for both the Poet-pArticipants and the Audience. The Art of Poetry too, when faced with detachment or worse yet extinction, has welcomed the Slams, as if returning to its earliest origin of spoken words made to be heard.

A serious Poetry Slam, as performance Poetry, does not depend on the quality of the words, lines, and the Poetic devices alone. It also involves oral skills such as eye contact with the Audience, emphatic reading, voice control, and controlled body language. This is because Poetry Slams are performed p rimarily for the Audience entertainment. A Slam is not the same as an Open-mic performance since an Open-mic is there to encourage the Poets while the Audience fares second.

Sometime ago, I was among the Audience in an informal Poetry Slam. True, it felt akin to a vaudeville show, but the Audience pArticipation and the Poets enjoyment were genuine. In an informal Slam Poetry Contest, the judges are selected from among the Audience and all forms of Audience pArticipation are encouraged, even booing the Poets at the end or the middle of their Poetry readings. If the Audience is dissatisfied the Poet leaves the stage; however, during the Slam I watched nobody left the stage as the result of public booing. Probably, I was inside a quieter Audience.

In the beginning, Slam Poetry used to be about specific subjects that involved public concerns like politics, baseball, social issues, etc. Afterwards, the themes and the subjects expanded in range immensely.

At pre sent, Poetry Slams find worldwide fame due to the efforts of PSI or Poetry Slam Inc. and The National Poetry Slam or the annual Slam championship tournament. During the first round of a serious Slam competition, all entrants can read their Poetry. The time period for each poem is three minutes. Poets are allowed to enter the succeeding rounds if they qualify. The judges Scores are numerical from zero to ten.

In the beginning, this competition was for Poets singly. Nowadays, Poets compete in four or five persons in a team in their home states and countries from North America and Europe. The winning teams travel to a city hosting the final competition. Since most local public radios broadcast the competition live to their listeners, the annual National Poetry Slam has become a popular event.

Besides the National Poetry Slam, any community may organize special Slams such as: Dead Poet Slams that is reading from the works of deceased Poets; Cover Slams where Poets re ad other Poets works; Improv Slams where Poets say whatever comes to their minds without previous preparation; Group-Poem Slams written by a group of Poets instead of one; Haiku or Limerick Slams; and the very funny Bad Poem Slams or the Low-Ball Slams where the worst Score wins.

Poetry Slams are not a passing fad. Any form of entertainment that is grounded in imagination with its roots in Art will surely endure excess showmanship or high-brow criticism. Poetry Slams and their organization Poetry Slam Inc. are here to stay in earnest.

Joy Cagil is an author on http://www.Writing.Com/ which is a site for Poetry Contests. Her education is in linguistics and foreign languages. She has been involved with Poetry all her life. Her portfolio can be found at http://www.Writing.Com/authors/joycag


Author:: Joy Cagil
Keywords:: Poetry,Slam,Actor,Poet,Contest,Clan,Tribe,Dance,Media,Art,English,Score,Open-mic,Music,Audience,Net
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Uplifting Tantras for Success

By definition, a tantra is a short Poem that illuminates a thought or concept. I have become fascinated with the form of the tantra, and would like to employ its Structure to an entirely different genre.

I have found it to be a challenging exercise to write a complete thought or concept on the subject of Success using the Structure of the tantra.

A tantra consists of five lines. Lines one, two, and four have only five syllables. Lines three and five have only seven syllables.

Give it a try. Any thought or idea you may have in the areas of Success, try to express them in the Structure of a tantra. They must be complete and make sense, not only to you, the writer, but to anyone else who may read them.

Here are some of my own attempts:

(1)Whatever you can
Visualize will
Always Materialize
Because of the Truth
That thoughts always become things.

(2)You must understand
The universe will
Respond to the sweet nature
Of your Song you are
Singing deep within your Heart.

(3)Whatever you are
Feeling is just the
Perfect reflection of what
Is in the process
Of even now becoming.

(4)Its all up to me
Im the only one
Who determines my Success;
Im the only one
Who can Carve my own Future.

(5)Motivation is
Found in the Heart and
Expressed through the actions of
The anxious soul who
Now hungry for Success, acts.

(6)Talk to some people.
Some will say yes and
Work with you in your business
While some will say yes
And be very good clients.

(7)Come join with me and
Learn your potential;
Discover you can succeed
In so many ways
You never thought possible.

(8)Liberation is
Really so easy.
It begins within the mind
As a yearning and
Manifests itself in works.

(9)Positive Outlook
Instills a new light;
I will surround myself with
Uplifting thoughts and
With motivated people!

This should help you to get a sense of the picture, here. Get a Feeling for the meter and placement of the words.

I have found that this kind of exercise causes me to struggle with my own thoughts, to condense them down into their most basic and meaningful form.

Words have power and they have meaning. No single word should ever be wasted or taken for granted.

Bob Curtis has a bachelor's degree in Psychology, and has been writing about the elements of relationships for a number of years. He is the manager of the Essential Sunshine Association, a new website for positive relationship development at http://www.essun.blogspot.com


Author:: Robert Curtis
Keywords:: Poem,Structure,Success,Visualize,Materialize,Truth,Song,Heart,Feeling,Carve,Future,Mot ivation,Talk
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