Thursday, September 29, 2011

For My Love

All alone I have wandered
Through the Struggle and growth of life
Theres been good times and bad
And Heartache had been rife
Id never known true Love
Then along you came
You Love me in a Special way
What we want from life is the same
I know that you will be there
When the downs of life bring pain
To wipe away my silent tears
And to make me smile again
Your gift of Love brings joy to me
Its something in what you do
I want to say a great big thanks
Just for you being you

I write about everyday occurrences and events that have either happened to me or to others.

I have been writing poetry for many years and regularly have it published in print. My poetry is published by Forward Press and in many other publications. So I'm now putting my poetry online. I publish my poetry on my Blog jo-hale-poetry at http://jo-hale-poetry.blogspot.com/ and on 8hop.com My poetry on 8hop.com. I also have information abou t my poetry at http://www.squidoo.com/jo-hale-poetry. I'm married to my husband Peter. I was born in May 1970 and am a Taurean star sign.


Author:: Joanne Hale
Keywords:: Love, Loving, Relationship, good times, bad times, Special, Heartache, Struggle, Hope, Strength
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With My Last Breath

You succeeded in destroying me
But you only caused more pain
You tried to abuse me with your wicked ways
I'm suffering and im weakening with
Every last breath.

I'm crying is it to late to be forgiven
Is it too late?

My soul my love
Bring me reassurance
My soul my love
Don't destroy my innocence.

You don't trust in me
I've been trying for so long,
You have forsaken our love
Will i be abandoned on the wrong side
Or will you save me.

My soul my love
Bring me reassurance
My soul my love
Don't destroy my innocence.

I am suffering again
My body aches from the pain
My face turns away from the shame
Will you let my love wither away?
Or will you rescue me from this madness!

I'm crying is it to late to be forgiven
Is it too late?

My soul my love
Bring me reassurance,
My soul my love
Don't destroy my innocence.

Wi ll you let my love wither away?
Or will you rescue me from this madness.
I'm crying is it to late to be forgiven
Is it to late?

My soul my love
Bring me reassurance
My soul my love
Don't destroy my innocence
My soul my love

'Copyright'2006Ekaterina kakoules


Author:: Katerina Kakoules
Keywords:: Lyrics
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Emergency Broadcast

This is not a test.

This is not a test.

Stay tuned to yourself, this is not a test.

During the next sixty seconds

you are asked to consider:

"Am I good to myself?"

Begin now.

Are you good to yourself?

Or, do you while away your days,

denying praise

that you have received

for what you've conceived

and brought into being...

your self?

Yes, You.

Heart of light, beaming bright,

your spirit sight focusing

within your bright light.

Or, are you dark, feeling stark,

cold and angry and off your mark?

You are true to yourself, always,

true, true, true...

Denying to praise all,

or, trying reappraisal,

you are true, and someone, always,

loving you,

is lost in your self Denial.

Then redial to...

tune in your virtue, your beauty.

Magnificence within you behold, let be told...

the truth of your grace,

you exhibit it, live it.

You have love, you are love, and can only love...

My love,

do not test it.

Fledgling author Greg Gourdian has worked with the general public as a psychic reader for a little over four years from 1981 to 1986. Much of his written work is channeled, although he will admit that he has no idea who many of the sources for his channeled work may be. He has many strange tales to tell regarding his spiritual journey and he attempts to tell his tales in a humorous or entertaining manner. While not an accredited teacher, Greg has taught classes in psychology, sociology, metaphysics and paranormal phenomena.

Visit Greg's blog at http://tangledintime.blogspot.com/


Author:: Greg Gourdian
Keywords:: Denial,self Denial,self repudiation,feeling lost,feeling Lonely,Lonely,Trepidation,Anxiety,Fear
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Pine Creek A Minnesota Poem

How pure it burns the Northern Lights, over Minnesotas mystic nights; here stirs the winds with deathless wings, with secrets undivided; ye, here moans the forest deep to think, what heart would seek, to take, or reap, its strange and deep beauties, and deeper joys from its woodlands, and kindly trees, from its little creek, nearby.

#1367 6/5/2006 When I was at Pine Creek, by Lake Superior, in Bayfield, Minnesota I noticed animal foot prints, in the sand, and the creek, in the back of an old B&B, where I stayed, was as lovely as the day is long. My wife and I climbed down the slope to it, gazed at it; then walked deep into the woods behind the old mansion, up a cliff (sort off). It was all raw beauty, such as will be gone someday I suppose, so we must capture it now. The poem is small, and is composed of a few fragments, of the beauty of Minnesotas Northerly Lights, its woods, and the little creek, but I felt the commentary should be longer than the poem in this ca se. When you walk into the thick deep woods by the creek, it is infested with mosquitoes, and the sound of bears, not sure if it is just the winds or the trees, whatever it sounds like wings flapping and one does not see birds until you are out in the opening; in places it is dim, and in other places gleaming with the morning sun; whispers unknown to me, I heard; as if eyes were seeking light but finding me, almost to the loss of a heart beat, I walked to and fro, and then out of this cloud of a forest, then went into the B&B for breakfast.

See Dennis' web site: http://dennissiluk.tripod.com


Author:: Dennis Siluk
Keywords:: Poetry and Commentary
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Penny Pinching Paul

Penny pincher Paul
Come on ya'll
I'm not that bad
I save sometimes
And spend other times
What's so wrong
With saving a dime?
Money after all
Amounts to irretrievable time.
At least it gives me
More to write about in my rhyme.
Yes, I drive my wife crazy sometimes
When I turn off the fan
After she leaves the room
Turn off the lights
When she's out of sight
Turn off the dripping faucet
Before I say good-night
But as for me
It feels alright
Besides I treat her right
By no means
Am I being trite
I took her to Paris and Nice
Oh, with that you I could entice
Perhaps you don't know
Nice is not pronounced nice
Nevertheless I took her elsewhere
To other places too
Down Under to the Taronga zoo
So before you criticize
Tell me what your honey
Has done for you?
I Amsterdam
My Dutch darling
Did that with me too
And the Grand Casino
In Monte Carlo, Monaco
Though our money there
We surely did not blow
Then of course
We had a honeymoon
In the islands of Fiji
I guess by now
You're starting to like me
Or maybe hate me
Out of jealousy
That matters not to me
Cause I'm happy in my own skin
Happy to just be me
Whether I'm pinching pennies
Or frivolously spending dollars
Being praised
Or getting hollers
Penny pinching Paul
Some may erroneously call
If they do
They fully don't know me
Cause I both save and spend
Cautiously and wholeheartedly!

Paul Davis is the founder of Dream-Maker Ministries (DMM), a nonprofit organization that is committed to building dreams, breaking limitations and reviving nations.

Paul's compassion for people & passion to travel has taken him to over 50 countries of the world where he has had a tremendous impact. Paul has served people in war-torn, impoverished regions of the earth.

Paul worke d at Ground Zero the first week of 911; helped in genocide plagued Rwanda and Burundi; addressed Muslims in Pakistan; and served in Banda Aceh, Indonesia (the tsunami epicenter). Paul connects well cross-culturally with all peoples, values each individual as a unique treasure, and transcends barriers that divide.

Paul is the author of several books including Breakthrough for a Broken Heart; A State of Emergency; and God vs. Religion. He is also a masterful poet.

Charitable contributions are always welcome. All gifts are tax exempt with the IRS.

Dream-Maker Ministries PO Box 684 Goldenrod, FL 32733 USA

http://www.DreamMakerMinistries.com - RevivingNations@yahoo.com - 407-967-7553


Author:: Paul Davis
Keywords:: penny pinching,Paul Davis,Frugality,save money,Love,Romance,Humor,Laughter,Idiosyncrasies,Peculiar
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Monday, September 26, 2011

Haiku Poems and How to Create Them!

Everyone at one time or another has heard of or read Haiku poems. This ancient Japanese art form has been around for a very long time. And with good reason!

It's a very beautiful and elegant poetic expression! With just a few words, the Haiku poet can create a present moment - a snapshot of nature or an event taking place. No other Poetry can do this with such economy, nor with such elegance!

To create Haiku poems, you must understand what it is and how it is written today. No longer bound by the 5-7-5 syllable rule, modern Haiku Poetry uses something called phrase and fragments theory to create with. This is a lot simpler th an it sounds. It just means that most Haiku composed in the west uses a sentence fragment - usually something like winter morning to set the mood or ambiance.

This is followed by a more complete phrase. For example, with a fragment like winter morning, we can use something specific something present moment to complete this Haiku:

winter morning --
ice crystals
hang off the pine

Notice how the phrase actually completes the fragment so to speak. They go together to create what some poets call an absolute metaphor. That's not important. What is important is learning how to create phrases for in this your success as a Haiku poet rests. Creating phrases has everything to do with creating what Haiku poet Ray Rasmussen has called first order mind sense impressions.

That is, to create a present moment or an event about a present moment, you need to be able to write in the present moment. To practice this, it's a good idea to first read Haiku you enjoy by others. Soak in their style and what they do. Then once you have an idea of the kind of things you want to write about, start writing your own Haiku poems.

Edward Weiss is a poet, author, and publisher of Wisteria Press. He has been helping students learn how to write Haiku for many years and has just released his first book Seashore Haiku! Sign up for free daily Haiku and get beautiful Haiku poems in your inbox each morning! Visit http://www.wisteriapress.com for Haiku books, lessons, articles, and more!


Author:: Edward A. Weiss
Keywords:: Haiku poems,Haiku,Haiku Poetry,Poetry,
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Sands

I set foot on the Sands of the Arabian Gulf

In Nineteen Seventy Nine;

The Sands, since then, have swallowed me up,

And consumed all of my Time;

My Time has been spent, in Work and in prayer,

Through the warm Arabian Nights;

The nights have exploded and lifted me up,

To wondrous towering heights.

The streets are all paved with 24K Gold,

In the mystic Middle East;

The Gold is so pure, spreading an array,

Of a gala sumptious fEast;

The fEasts are so many and Time has so sweetly,

Played on my favorite song;

The love songs of life, that keep on playing,

Moving me on and on.

The nights are lit up, from the skies above,

By a million or more stars;

The twinkling stars that shine out of the dark,

Are like watchful eyes from mars;

The eyes that peer neath black silk veils,

Of sweet and charming faces;

The faces of fortune, in oil rich Sands,

Of sleek and flowing graces.

How many Times have I left these Sands,

To return and roost back home;

But the Sands keep calling, luring me back,

To its great mosques and domes;

The domes that keep shining, reflecting the warmth,

Of the sizzling noon day sun;

The sun that keeps rolling, simmering the sand,

Around almost everyone.

A Home away from home, is what Ive found,

In these hot burning Sands;

The Sands of Time, that have kept me so close,

To these wonderful Arabian Lands;

The land of Prophets and a great belief,

That one man toiled and taught;

A teacher so mighty that none could defeat,

Even though, they, in vain fought.

Let me rest beneath the burning sand,

When my day is over and done;

Let my day be near, so I can lay my head,

Beneath the scorching sun;

Le the sun shine bright, through all of Time,

In this beautiful bounteous land;

Let the land flourish and grow on to become,

A Heaven on earth so grand.

Written in Muscat, The Sultanate of Oman 1992 while I was on duty with the Ministry of Defence at Seeb


Author:: Fazli Sameer
Keywords:: Sands, Work, Middle, East, Time, Oman, Muscat, Seeb, Defence, Fazli
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Georgian Poetry and James Elroy Flecker

The Georgian Poets were named after the reign of King George V who was crowned in 1910. The first volume of Georgian Poetry appeared in 1912, proposed by Rupert Brooke. Four more volumes were published the last in 1922 edited by Sir Edward Marsh. The Georgians are the poets who wrote the preludes and swan songs to and before the Great War of 1914-18, and some of them are also known as War Poets whose later verse altered under the impact of that war.p

Pre-war Georgian Poetry is typified as dreamy and romantic and escapist in comparison with the harshness of war described by the realists. The most enduring Georgian is Flecker who introduced orientalism into his verse and died young, though the most famous is, still, probably, Rupert Brooke who outlived Flecker by three months and died patriotically on St Georges Day, which is also Shakespeares birthday. The forgotten Georgians are those who continued in the vein of late-Romantic picturesque descriptions of countryside.

The major Georgians are Lascelles Abercrombie, Hilaire Belloc, Edmund Blunden, Ruert Brooke, William Henry Davies, Ralph Hodgson, John Drinkwater, James Elroy Flecker, Wilfred Wilson Gibson, Robert Graves, Walter de la Mare, Harold Monro, Siegfried Sassoon, J.C. Squire, and Edward Thomas.

An absent name is John Masefield who was writing earlier and lived longer than most Georgians. He is best known for Salt-Water Ballads (1902) and for his narrative poem The Everlasting Mercy (1910). John Masefield was Poet Laureate from 1930 to 1967.

James Elroy Flecker was almost exactly a contemporary of Rupert Brooke. Both died in 1915 Brooke on a troopship bound for the Dardanelles and Flecker in a Swiss sanatorium. Both of them fantasised about death, Flecker more so because he was diagnosed with consumption in 1910. The following quotation is taken from Fleckers Golden Journey to Samarkand and reappeared posthumously in his verse play Hassan (1922) for which Edward Elgar composed a score; and Elgars music could be as lush and seductive as the verse.

We who with songs beguile your pilgrimage And swear that Beauty lives though lilies die, We poets of the proud old lineage Who sing to find your hearts, we know not why,- What shall we tell you? tales, marvellous tales Of ships and stars and isles where good men rest, Where nevermore the rose of sunset pales, And winds and shadows fall toward the West.

And how beguile you? Death has no repose Warmer and deeper than that orient sand Which hides the beauty and bright faith of those Who made the Golden Journey to Samarkand.

(T he Golden Journey to Samarkand)

This golden journey, as Ezra Pound remarked, took place merely on paper, yet Flecker still enjoys a popularity that other Georgians have lacked or lost. Looking at his brief life and works in more detail:

Flecker's father was a clergyman and headmaster of Dean Close School, where Flecker was a day boy. He attended Trinity College Oxford and also Caius College Cambridge where he studied Arabic, Persian and Turkish before joining the diplomatic service. He served as Vice-Consul in Constantinople (Istanbul), Smyrna (Izmir), and Beirut from 1910 to 1913; however, his health was poor and he was diagnosed with tuberculosis. At the outbreak of the First World War he was not quite 30 years old and unfit for military service. He died five months later in a sanatorium. His grave in Cheltenham, England, bears the epitaph O Lord, restore his realm to the dreamer.

Fleckers verse is high on sensibility and often low on sense. The Dyi ng Patriot bears a resemblance to Rupert Brookes The Soldier in that it urges the living to carry on where the dead left off, but it lacks the curious Englishness on which Brooke is insistent.

There's a house that Britons walked in, long ago,
Where now the springs of ocean fall and flow,
And the dead robed in red and sea-lilies overhead
Sway when the long winds blow.

Sleep not, my country: though night is here, afar
Your children of the morning are clamorous for war:
Fire in the night, O dreams!
Though she send you as she sent you, long ago,
South to the desert, east to ocean, north to snow,
West of these out to seas colder than the Hebrides I must go
Where the fleet of stars is anchored, and the young star-captains glow.

(The Dying Patriot)

What are these dead robed in red but the noble ancestors who have suffered a sea change? The verse is trance-like and lulling a mixture of amniotic fluid and th e tranquillity of amnesia. Those (patriots) who have gone before and the country itself require the young (children of the morning) to go to the ends of the earth in Imperial service. Meanwhile, the dying patriot himself (why not herself) is about to become part of a constellation in mark of heroism, to glow warmly for evermore in the cold night sky. The soul is headed westwards on the path of the dead. Hebrides sounds a little odd, as though Hesperides didnt quite fit, and geographical quibbles over cardinal points have no place in Poetry but its not odd when the word Britons is considered. This is good native stuff overlaid on Greek myth. Its the Poetry of 1914 and over by Christmas and it cheered the Oxbridge volunteers of August for whom a war was but a distant prospect and excitement and a firefly blaze of glory.

Read the full version of this essay at: www.literature-study-online.com/essays/war-poets.html

Stephen Colbourn has published many articles about literature on Literature-study-online at

www.literature-study-online.com. He is a freelance writer. He has written widely on English Language Teaching and has published articles on literature, linguistics, and computers in various journals together with many Readers for Heinemann and Macmillan Education. He has contributed articles on literature to The Essentials of Literature in English post-1914, published by Hodder Arnold in 2005.


Author:: Stephen Colbourn
Keywords:: The Georgian Poets,Georgians,James Elroy Flecker,Poetry,English Literature,War Poets,The Golden Jour
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As the River Flows and The Goats of War (Poetry and Notes on War)

1) The Goats of War

We are all of us, dirty
None innocent
All alikewar has
Rolled over us like a train
In High gear:
Blood, boots, bombs
And sharp metal:
A crude lifestyle
We never seem to get
Tired of
The emphatically brave
Come home to the
Bitterly saved
Trying to figure out
What the purpose was
With pitiful eyes;
And then they bite
Their lips, ready
To fight again
Who can ever understand?
The gut of a man!

#861 9/20/05

Note by the Author: I fought in Vietnam, and like many soldiers believed in what I was fighting for, or was supposed to be fighting for. I went because of the adventure also. There are options besides going to war, for the soldier for the one sending them. It was sad in the sense, us young boy back then believed more in what we were doing than the ones that sent us there. I do hope we send our boys back home from Iraq. I don't know if it is all worth it or not, I'm just an old worn out sergeant now. But it seems to me, the guts are still in our men, like they were in me (we have the bravest of all the soldiers in the world); but the folks doing the sending have lost insight for hindsight (perception after the fact), and that is a damn shame.

2) As the River Flows

Life is like a river
It flows and it flows,
Never to return
The same drop of water T
o the same spot;


And so


like the drop of water
I must move onand
off! Off this platform;
Let life flow, flowoo
Like the river


to
Whoever knows where.
According to the plan!
For we are simply
Part of the flow
And that will have to do!

#456 [1/19/05/reviesed 11/2005

Inspired after meeting the poet, Donald Hall for his wife had died, and he grieved dearly; and in memory of the author's mother, Elsie T. Siluk, for he had grieved dearly at the time also, and so there seemed to b e a connection when he wrote this poem; for Dennis' mothers way of thinking was as the poem reads: let life flow. Rosa

See Dennis' web site: http://dennissiluk.tripod.com. You can also order the books directly by/on: http://www.amazon.com or http://www.bn.com


Author:: Dennis Siluk
Keywords:: Poetry
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One of A Kind

My oh my
Big God in the sky
Sent me a Lovely Canadian
Hes having His way again
Certainly knows how
To melt me within
Though at times I get restless
And near rebellion
The Father above
Takes divine dominion
Alleviates my miniscule opinion
And exceedingly surpasses my prayers
Bringing countless blessings in

Karla you certainly are thus far
The greatest of them
A blessing from heaven above
Someone I prize and dearly Love
One of a kind
Captivating me all of the time
Making my soul sublime
With you the happiest days
I repeatedly find
Oh but now were apart
And it feels as if
Theres a dagger in my heart
Like Im tormented
By the distance
Nevertheless I persevere
With all persistence
Knowing assuredly
I shall soon see you again
On Queens Day, in Holland
Yet I wish it would come faster
Because I cant stop
Thinking about her

One of a kind
Is this woman of mine
A precious treasure
Beautiful beyond measure
Elegant and radiant
Intellectually brilliant
Stimulating me mentally and spiritually
Leaving me in awe
When I behold her physically
Soothing my soul
When I hear her audibly
Awaking my senses
When we embrace tirelessly
Getting lost in one another
Blissfully

One of a kind is she
Who motivates and inspires me
To be all I can be
To fulfill Gods call on me
Live passionately
Laugh joyfully
Love fearlessly
Let whatever will be
Just be

My one of a kind gem
Do not delay
To travel abroad
And come my way
For my soul longs
Yearns greatly for you
Without which
I know not what to do
For youve become
A part of me
A pillar of hope
Like the statue of liberty
An exquisite work of art
That provokes creativity
Ingenuity and tranquility

Hurry my Love
I wait for thee< br> With all I am
And forever shall be
Make haste my darling
For life is short
To espouse self-control
Without you I cant purport
Such dishonesty
Of my emotions
Makes mere sport
Let me therefore be true
And express wholeheartedly
How I feel for you
Before the sun sets
And theres no time left to.
Karla youre one of a kind
And I sincerely Love you!

By Paul Davis - poet and prophet

Paul Davis is a missionary statesman, life coach (relational & professional), popular worldwide keynote speaker, creative consultant, explorer, mediator, Liberator and dream-maker.

Paul's compassion for people & passion to travel has taken him to over 50 countries of the world where he has had a tremendous impact bringing transformation to individua ls and organizations. Paul has also brought revival to many in war-torn, impoverished and tsunami stricken regions of the earth. His nonprofit organization Dream-Maker Ministries is building dreams and breaking limitations.

Paul's Breakthrough Seminars inspire, revive, awaken, impregnate with purpose, impart the fire of desire, catapult people into a new level of self-awareness, facilitate destiny discovery and dream fulfillment.

Paul plans to marry Karla, the Love of his life, and go on an around the world honeymoon for an entire year. Would you like to sponsor these world changers?

RevivingNations@yahoo.com 407-967-7553 or 407-282-1745.

http://www.CreativeCommunications.TV
http://www.BreakthroughSeminars.org
http://www.DreamMakerMinistries.com


Author:: Paul Davis
Keywords:: breakthrough seminars,keynote speaker, Author,Minister,professional speaker,Love,Romance,Liberator
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Sunday, September 25, 2011

Writing Haiku on the RightSide of the Brain!

Most Haiku writers and teachers suggest you look at nature closely and examine what's happening in the present moment. A good way to get into the Haiku mindset but it's not the only way.

Listen to thisit's important that you get in a right-brain mode before composing Haiku. Why? Because you're best material will always come when you're not connected to the analytical thinking left hemisphere. Here's how I do it.

First, I don't examine nature nor do I look at things then try and capture a Haiku moment. I do it all in my head. Why? Because this is how I get in right-brain mode! If I look at, let's say, a tree and wonder what to say about it, I'm thinking and no longer can access that special part of me that knows intuitively what to say.

Now, I'm not saying that working in your head is the best way or the only way to write Haiku. I am saying that if it works for you do it. If looking at a nature scene does it for you then that is what you should do.

I 'm always amazed at how many rules teachers can come up with for how to write Haiku. Some say you must observe closely. Yes, you can do this and you can also observe in your mind's eye as well. If you can see a scene, visualize a picture in your mind and you write a Haiku poem about it, that poem is just as valid as one that is created on site so to speak. Whatever gets you in right-brain mode will work.

Edward Weiss is a poet, author, and publisher of Wisteria Press. He has been helping students learn how to write Haiku for many years and has just released his first book Seashore Haiku! Sign up for free daily Haiku and get beautiful Haiku Poems in your inbox each morning! Visit http://www.wisteriapress.com for Haiku books, lessons, articles, and more!


Author:: Edward A. Weiss
Keywords:: Hai ku,Haiku Poems,Haiku Poetry,writing Haiku,Poetry,Poems
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By the Teeth of the Moon (The Great Wanka Battle) A Poetic Adventure from the 16th Century

By the Teeth of the Moon
The Great Wanka Battle

A poetic Adventure from the 16th Century

First Faction
[1 thru 4

The Warrior

1
The Warrior

I was born in the Mantaro Valley
I came from an old Wanka stock
Race whoses characteristics
Were inclined towards violencewar
We battled against one another!

In the mountain countryI lived
A valley surround it, is where I spent
My boyhood, a physical contest!
It was all a breath of life to me;
Restless of life, I became a warrior.

One must understand the risks,
The uncertainties as a warrior;
You must be utterly fearless, wild,
Primitive, and it was done, I was
I was all of this, aloof, strange!

2
The Blade

As a warrior, I could expect nothing,
Only fury, from my muscles, aching:
Grasp, raw skinned knuckles, aching;
Staring down my victims, doom,
My murderous blade, sharp at is point.

(I learned death in a thousand forms)
And due to this, I was partly dead.
In my life, at this time, I can but reply:
Continual violent action: imposes!...
Oversimplified, and now I die!

3
Captured

I was captured once and left to die
My wife (but not then))I shall not name))
Fumbled vainly at my feet: I had been
Physically tortured, she held me upright
She cried, and prayed and cried!

Worthless, yet she had pity for me
And now she waited vainly, hoping
Wringing her hands, knowing I was well
No more a shield, thus, I was free to:
Fight again; whoever saw such a woman [?

You will say perhaps, it is impossible
For a man like you, to fall in love
She was indeed a blinding flame,
A deafening sound in my chest
A sound I could never put to rest.

For a long time I was senseless, dead,
In my healing, longing in my sleep to love
Never really hoping to find it, yet:
Once found, she disrup ted my life
Yet, somehow, we became one.

4
The Vanquished

I always thought I return to her
My little yellow flower of the mountain
I shall return, I decreed! Freed
The vanquished bloodstains kill
They do not play favors for anyone.

My mind as I came to her
Her features sparkled and floated,
Around my eyes I can visualize
It now is all a transcendent vision
Yet strangely familiar as I walk

5 Interlude
Death Shadows

As in any war, he found his eyes upon the dead, his eyes trying to close (the dead that laid now behind him bleakly and quietly, he tried to wipe out their memory, the battle; he remembered all the shapes they had!

Stiffly in their cast mode, bold and cold, immortal faces, shrinking, he got away from them!

He called it hopeless surrender; he would have to learn how to be uncold, for the world could not afford a warrior with true affection (sorrowful it would be in battle)) but he was coming home)).

In his journey back, he lost all account of time, dead feet walking, lost is at period, un- hurrying, he clinched his hands, a snarl on his face: one way or another, he was coming home to his wife.

Their facesteeth showing, face bleached white, incapable of further movement, he made no sound, his breath hissed, as he recollected, wordless, he sank into a silence of profanity, yet he kept waling, walking, walking.

The Great Wanka Battle

Part One
By the Teeth of the Moon

Four-thousand warriors battled this night
Two-thousand Wanka warriors would die
Along the Mantaro Rio, in the Valley
And they had equal weapons and all
And many of the warriors were hidden

On both sides of the Rio were Wankas
I and the Wankainos (the ancient ones)
Kept up our incessant fires, and spirits
But with scant avail, for we all knew
Slowly the other village crept closer...

Closer and closer they crept f or accuracy
To the edge of the Riospying they came
Hid in the ditches along the Rio, and trees
Held their positions, waiting, just waiting:
In short order, hoping to wipe us out.

Suffering terrible, in the cold winds
It would have been madness to swim
Across the Rio at night, but we did
Suffering terrible from the cold winds
Slowly we crept closer to them!

Thus, we crossed the Rio at night with
Only the teeth of the moon for light,
Arching down, now on the ground
Blue blades by our sidesdetermined
Bizarre figures, spears at our thighs.

Part Two
Battle along the Rio

I heard a voice vaguely familiar:
I slashed off his headit rolled
Grinning down the hill to the mud;
Once on land we rushed the camp
In-between fires, dogs and cats

Panting, blood stained, fierce faces
Led onlyby the teeth of the moon
Flamed eyes, fumbling in our haste,
Back! I heard someone say
I nstantly my ears heard a distant roar!

The shooting of porras snarled by
Fire arrows singed burn my hair,
I was the last Wanka warrior to die
In this chaotic war; blindly we fought
Some bodies smoking burnt crisp

I saw the remnants of my comrades
There was no escape; none! None at all.
We walked into a devouring path
I and I alone, escaped to the Rio
By the teeth, the teeth of the moon!

I raced through the water of blackness
I suspected, I was confused, mumbling:
The erratic moon, bobbing above me
Then I reached my side of the Rio
There was the spy in the hollow log!

Part Three
In the Midst of Battle

In the midst of the Wanka battle
Massed thick with Wanka bodies
We were all fighting like demons
The battle was a gasping deadlock
They could not thrust us back

We slashed, heaped high their bodies
Then when we were exhausted, they
Came in full forcehand to hand
Men stumbling among the dead
Flesh and blood with a thunderous roar!...

Wanka warriorswe were everyplace
Everyone madden to a frenzy (hidden)
Theyour enemy Wanka brothers,
They were hidden in trees, logs, ditches
Desperate melee, we gave way!..

The battle streamed out, throughout
The camp, and down to the Rio,
Trampling feet, shoutswith blue steal
Hand to hand, came the vengeance:
All foes in the same valley and Rio...!

Part Four
Death (in the Midst of Agony)

On we died like locust, so thick in battle
So broad we could not spread our arms,
And once we tried, wide, broken wings
(With broken arms and knees, we fought)
Thus, being repaidwe died in agony.

Red, red blood was the repayment
I could not pity them, or they us:
We were all dazed by the battle sight
Some cowering in terror, and me, me
I was in the painful midst of Agony!...

Hacking and slashingwarriors!
I avoided chance blowssomehow;
I slash and gashed, a path to the Rio
I swam swiftly through the currents
My bronze limbs against the water-walls

Now cross the Rio, glaring in on me
I found a path, where the wind blew
The dome of the moon shattered
In the semi-darkness: my bronze limbs
Crushed, with pain and the rain!

I heard from distant Wanka iron hands,
Pounding lungs, their feet in triumph
The say, We conquered the fools, yet
They, like us, are from the Valley
And some day they will be conquered too.

Part Five
Stonewalls

Of this past cataclysmic frenzy
That took place awhile ago
The death of howling humans,
Brought me memory crushing walls
A ghastly roaring through it all!

You think before a battle, and during:
Your body can blast through it all;
How many fell that day, do not know
But I was the only one to escape
Over the rivers, over the rivers flow.

What I expected to find or gain in war
Is different than what I found
Like blind and brainless monsters
We founta blinding white flame
Enveloped in a frantic oblivion.

(You my say perhaps it was all in vain,
My only reply is that I was part of it;
Senseless as it is, was, and will be:
Again, afterwards, one becomes vested
In delirium, paralyzed with!

Part Six
By Lantern of the Moon
(After the Battle)

As I walked towards my home,
Trees loomed out of the darkness
Thinning brancheswith a hushed
Vague skydog barking ahead:
Guided only b y the lantern of the moon.

I struggled now up side of the sierra
The old creek bottom, behind me now
My mind in a fine obliviousness
At last I saw, from far away
A shadow standing in the darkness!

I felt a sad, gloomy, faintly chill
My woundsmy whole body dying
Dying among the living sierra trees
The dog heard me, barked again,
His shadow trying to listen, to listen!!

Her voice, humming, ebbing my way
My pathlike a falling echo
Motionless, like a broken branch
The dog barked again, nearer:
My wife stared off into the darkness.

7
I Died

I died, and went into a silence
I died, and the silence rippled
It was neither nightnor day
I wanted to follow the path
You know the one to my house!

But I was deadamong the trees
The house seemed to loom before me
(a different dimension perhaps)
Then I found myself beside her
I whispered her namestirringly!

Her lips were cold, or where they mine?
She tasted fatality, doomdidnt know
Her head bowed between her breasts;
I was now above her: she was so brave.
(And I died, and she went to bed.)

And I thought then, about the times
She and I, held each other
And we would lay in the meadows,
And quietly in the darknessshed
Make me warm, and she was soft.

(But this doom, I could not escape.)

Part Eight

Spring and Decay

There were no intimate things in her room, emptythe entire room stilla chill of desolation, spring had come, in a bright blue sky, she saw flowers lying on the ground, as if forgotten

she walked further into the wooded area, therewithered and dead laid her husband. Crumbled in his fingers, flowers, she touched his hand, they had left a stain, and he smelled: reeked with decay!

Soberly and a little sorrowful, in the chill of the morning air, she paused, fretfully, brooding, alarmed, her fear and bewilderment had come true: trying to remember what little they had done together.

The gist of it was plain enough, she had never understood him or war, but she did today, it meantdetachment. It all impliedone must put it behind them, to stay alive, to survive, yet shocked and curiousshe didnt appreciate it.

She asked herself What are the words to this? there was nothing to do [perform, carry out save, hope for a new husband, yet that brought back distaste, and dread; she had to trust to a stranger (she put this aside for the time being).

Part Nine (conclusion) Interlude

The Ghost of Weeping

(Grieving) She stood sluggishly by her fireplace, her hands cold to the bonesshe stood before it, then turned towards the window, there she could see the drooping threes, her heart leaped a little You fool, she said; his shadowy shape came leaping unto the open sill of the window, You idiot, she said; the shadow seemed to stare at her, with a wild repose.

Her wet face, lighted up Dont, she cried, and then she tasted her own tearsshe clung to the window, the shadow showed saber intensity Have I gone crazy? she asked herself.

She had been hoping he would have come home, I mean, come home for good, she had waitedso she said aloud, longer than a thousand fires and perhaps had she not found his body, she would have waited longer . No, she answered, wishful thinking! That is what it was. What? she said; a voice said, youll find someone soon she stared quietly (it was if the voice was annoyed).

Her chin now in her palms, looking into the fire, You dont want to! She said Surely for what its got to be. She added, Whatever you think, it is because it is what you want to believe.

She picked up a cup, drank its contents sat back, her face rosy in the firelight. She closed the window, People smell bad because of the things they do; she said, living corruption, flags the flesh, all soiled. She felt clean to the bonethen the fire went out.

She murmured He gave half of himself to me, and the other half, perhaps the better half, he swapped for warthat part, I could never find, until now.

W

#1450 9-6-2006 (First parts written the first last week of August, and the last parts written the first week of September, 2006)) drawings also drawn during the same periods.))

See Denni s' web site: http://dennissiluk.tripod.com


Author:: Dennis Siluk
Keywords:: Poetry
Post by History of the Computer | Computer safety tips

Poetry Practice Through Play

When my youngest daughter was in pre-kindergarten, I went to the prerequisite open house. As the children played, the parents gathered - either standing or perched precariously upon tiny chairs - waiting for the teacher to speak.

The teacher gestured to each section as she explained how the children spent their day. We got to know the art center. We saw the tricycles, swings and seesaws they used during outdoor play. We were introduced to the block building, kitchen, and music centers.

When she finished, she smiled while waiting for our questions. One parents question stuck out in my mind: Besides going over their ABCs and 123s, what do they actually learn?

My Answer: Playing, while being a fun way to pass the time, can also teach. This is as true for poets as it is for the pre-k crowd.

THREE WAYS TO PLAY

~ONE~

A fun tool in the poets toolbox is alliteration. My favorite way to sharpen this tool is to play the game Scattergories.

The way to get points is to come up with unique answers, because if someone else comes up with what you wrote down, neither one of you get a point. The way to pile up points is to come up with a single answer that had words beginning with the same letter. For example, if P was the letter rolled and panther fit one of the categories, then pink panther would get you two points instead of one as long as it also fit the category. You could try pink polka-dotted panther, but if the category is type of cat you might have a problem defending your answer.

On the other hand, its loads of fun trying.

~TWO~

In case that was too much like playing for you, here is a fun way to practice Poetry that I learned in my Creative Writing classes in college.

Try playing with word magnets no refrigera tor required.

The object isnt to come up with anything serious, although sometimes you do by accident. Focus on finding a rhythm and the way words sound together. Its okay to get silly.

You can find these word magnets at most bookstores.

~THREE~

The third way to play is as easy as closing your eyes.

Find a quiet place and use your imagination. Visualize a place in detail or become a different person. Immerse yourself in this imaginary place or imaginary life. Next, you write as much of this detail as you can. Bring it (or him/her) to life on paper.

Practice can be as boring as repeating the multiplication tables or it can be a fun experience. Boring gets old fast - personally, give me the fun.

2006 Holly Bliss. All Rights Reserved. This document may be freely redistributed in its unedited form and on the condition that all copyright references are kept intact along with the hyperlinked URLs.

About the Author: Using her writin g as paint on the canvas of her life, Holly Bliss is an eclectic writer, newsletter editor and an author on http://www.Writing.Com/ which is a site for Poetry.


Author:: Holly Bliss
Keywords:: poetrry practice, Poetry exercise, practicing Poetry, word play
Post by History of the Computer | Computer safety tips

Poetry Pays At Least This is What Some Say

Some say

Some play

But as for me

I've got to find a way

To make this profession pay

Because I obviously

Possess the gift of Poetry.

No matter what I try to do

My fingers find their way through

Taking me continually back to

This computer keyboard

My heart filled to overflowing

My mind is never bored

My incessant motivation toward

Writing and reading

Elaborating on ideas, issues and concepts

Uplifting people society rejects

The North American Library of Poetry

They gave me some recognition

Some small awards

But as for things monetary

This they did only...

Try to sell me their anthology

I know it pays the bills for them

But what about me?

I'm not blind you see

I too need to generate a fee

Poe published a little volume of Poetry

Tamerlane and Other Poems

It is such a rare book now

A single copy sells

For more than a cow

Two-hundred thousand bucks to be exact

Had Edgar lived to handle such earnings

From this cash cow

He might have had

A heart attack

He could have bought

A life supply of Big Macs

Eaten breakfast everyday

Like a Hungry Jack

Not had to endure such flak

From unfriendly people

Been exalted by a capitalistic society

To the height of a steeple

Nevertheless life goes on

Greenbacks are daily needed to survive

Without money you cannot thrive

Not relationally

For romance

Without finance

Is foolishness

Not socially

For social gatherings cost money

Not occupationally

For dreams require dream teams

To push them through the womb

Sustain them after birth

Modify and maintain them

Lest they dwindle and reach dearth

Therefore this mouth

Must be compensated

This mind valued

These fingers upheld

The light over my head fueled

The fan in my hot Florida home

Kept a blowing

Lest I trade in this craft

And be up and going

Indeed I have a preference

But economically

There is no hesitance

Pay must soon come my way

For unlike Edgar Allan Poe

I shall rejoice in six figures

Before my body is disfigured and buried

This vision I have long time carried

Very soon it shall be happily realized

Because my poetic gift is exuberantly

Cherished, celebrated and prized!

Paul Davis is a masterful poet, worldwide professional speaker, minister and Author of several books including Breakthrough for a Broken Heart; and Stop Lusting & Start Living.

Paul is a life coach (relational & professional), popular keynote speaker, creative consultant, humor being, adventurer, explorer, mediator, liberator and dream-maker.

Paul's compassion for people & passion to travel has taken him to over 50 countries of the world where he has had a tremendous impact. Paul has also brought revival to many in war-torn, impoverished and tsunami stricken regions of the earth. His organization Dream-Maker Ministries is building dreams, breaking limitations and reviving nations!

Paul's Breakthrough Seminars inspire, awaken, impregnate with purpose, impart the fire of desire, catapult people into a new level of self-awareness, facilitate destiny discovery and dream fulfillment.

Contact Paul to minister, speak at your event or for life coaching: RevivingNations@yahoo.com, 407-967-7553

For additional info: http://www.DreamMakerMinistries.com, http://www.CreativeCommunications.TV


Author:: Paul Davis
Keywords:: Payment,Poetry,Edgar Allan Poe,Paul Davis,Author,Writer,creative catalyst,Mastermind,Genius,fun life
Post by History of the Computer | Computer safety tips

Free Verse

After studying and writing Poetry since I was in the third grade, over fifty years now, I have come to the conclusion that the more I learn, the more there is to learn. Every time I turn around, I discover another form or type of Poetry. Some of the forms I have tried; others I decided not to use or examine too closely (the names alone sounded like diseases). I use free verse most often in my writing because it gives me the freedom to explore word usage, theme, and Imagery that structured forms can't.

But how do you write in free verse? someone asks. I thought Poetry had to rhyme and have a certain number of syllables in each line.

No, free verse can have some rhyme, but rhyme isn't required. Any rhyme in free verse cannot have a scheme or pattern, and free verse cannot have a pattern of set numbers of syllables in its lines. Not having a rhythm scheme, though, does not mean that free verse doesn't have its own smooth flow. It does, just not any kind of pattern .

Here are two examples of free verse, one with some rhyme, one without any rhyme.

With rhyme (note that the rhyme used has no pattern or scheme):

Disappointments

Every life has a room
where memories are stored:
A box of special occasions here,
Shelves of shared laughter there.
But back in the shadows
Lurks a trunk locked tight,
Not to be opened and searched.
There hide disappointments
Which darken every heart.

Promises made in passing,
Never meant to be kept,
Still throb with pain inflicted.
Hopes, shattered like glass
Thrown against a stone wall,
Leave splinters of pain
That never quite heal.
Dark despair smothers all,
When disappointment calls.

I may share my memories
Remembered with joy,
But the disappointments
Manage to stay all mine.
But there are so many,
A lifetime of broken items
or things that disappear.
So I ask, please dont promis e
Unless you follow through.
(copyright 2004 by Vivian Gilbert Zabel)

Without rhyme:

Fantasy or Life

So often you say you love me,
Yet you seemingly don't know
I cannot live in fantasy's fog,
Always in the blurred drug of dreams.
I need the clear, crisp light
Found in reality's realm of day,
Not the darkness of mere existence.

Come with me from still shadows
To brimming brightness of both
Dance and stroll, of walk and run,
The never dullness of movement,
Of song and lullaby, of tears and smiles.
Live real life just sprinkled
With dreams only occasionally.

So much lies beyond your grasp
If all you seek are wisps of cloud,
With nothing dared or hoped.
Step out from behind walls of doubt
And find me waiting expectantly
With arms wide outstretched,
As I welcome you to life abundant.
(copyright 2005 by Vivian Gilbert Zabel

Then, the questioner contin ues, anything that sort of looks like Poetry is free verse?

Not exactly, my friend. (Yes, I know that's a fragment, but fragments can be used for effect.) Writing any kind of Poetry means that poetic language and devices are used. Poetry and prose not only appear different on the page or screen, they sound different. Poetry is more concise and precise, reduced to exact concentrated images.

I'm lost. The questioner frowns in confusion.

Okay, what about an example? Teachers always have folders and files full of examples. Let's look first at a very short prose (prose is written material which is not Poetry):

The church stood tall upon the hill as it overlooked the community. Its bell rang through the clear morning air, calling people to come and worship. Soon the pews filled and music rose to the heavens while families and friends joined one another in thanksgiving.

The paragraph is not Poetry, but could be made into Poetry without worrying about rhyme or meter (rhythm). However, simply writing the same words and sentences in short spurts of lines isn't the same as Poetry; although, the wording is rather poetic in a way.

First let's see what kind of poetic devices we might use: Alliteration (the repetition of beginning sounds used for effect) for one, since we can see church and community already in the paragraph as well as clear, calling, come. If we use all those words, correctly close together, we have Alliteration.

Next, what can we use as a metaphor (the comparison of unlike things saying one is the other) or simile (the comparison of unlike things saying one is like or as the other)? We could compare the church with something or the bell with something. The church, like a guardian, watched over the community; the bell, a crying messenger, rang out its call.

Maybe we can insert an Oxymoron (the use of contradictory terms, together, for effect). Living death is an Oxymoron. Heavenly sin is another. What might we use in this poem that we're going to write? Since we are talking about a community of people joining together, and mention family and friends, what about something like friendly enemies? Or maybe that isn't a good example, we'll see.

Now we have some ideas that we can use in our free verse poem. Notice we haven't tried to put together any rhymes or to choose a pattern of syllables because we don't care. We want to express our ideas and the poetic meanings.

Like a benign guardian,
the church sits upon a hill,
caring for the community below.
The bell, a crying messenger,
rings forth its call to all
through the crystal clear air
of early morning's light.

What do we have so far? I see Alliteration, metaphor, and simile, no rhyme, and no rhythm scheme. So we have the start of a poem in free verse. Let's continue.

The pews fill as music swells,
sending songs heavenward.
Kith and ken gather
to worship and to rejoice,
thankful that for one day
friendly enemies can forget
any distrust or discord.

We find some more Alliteration and our Oxymoron in that stanza. Still there is no rhyme, but there could be if we wished, as long as we didn't set up a pattern. Any lines that have the same meter, or number of syllables, is accidental, not a pattern or scheme.

Oh, one last comment, free verse does not mean don't use needed punctuation or c apitalization. As I searched for examples of free verse, I found many that didn't have punctuation (which caused ideas and thoughts to run together) and didn't have capitalization, which distracts from the meaning.

I hope I've helped you understand a bit more about writing free verse. Try it and see what you can create.

Vivian Gilbert Zabel taught English, composition, and creative writing for twenty-five years, honing her skills as she studied and taught. She is a author on Writers (http://www.Writing.Com/), and her portfolio is http://www.Writing.Com/authors/vzabel. Her books, Hidden Lies and Other Stories and Walking the Earth, can be found through Barnes and Noble or Amazon.com.


Author:: Vivian Gilbert Zabel
Keywords:: Poetry,Alliteration,Emotion,Imagery,Oxymoron
Post b y History of the Computer | Computer safety tips

Saturday, September 24, 2011

Educated Idiots

Professors with doctorates

Wonderful, intelligent people indeed

Yet unless they too can bleed

Feel what we feel

Handle what we touch

And experience things

Much like us

If they can't relate

What is their fate?

Meanwhile they work so hard

To be added to the Uni slate

Certainly apart from

Personal identification

There can be no

Heartfelt relation

No mutual understanding

No deep emotional bonding

Why therefore

Do we so elevate academicians

Who unlike comedians

Cannot make us laugh

Unlike physicians

Don't extend their hands

To us to touch

Yet the rigors of Academia

Expects so much

But what then

Does it give

To students in return?

Their minds swell up

But with their Hearts

They don't learn.

In fact from society

Graduates become often

More distant and removed

Therefore to books alone

We must not be glued

For there is a world

Which we live in too

In dire need daily

Of people like you!

Allow me then

To awake and shake you!

Before rigor mortis sets in

And paralyzes you

Cripples your cause

For which you devote such time

Removing your reason and rhyme

Making inflexible your mind.

Halt!

Hear me now

You high minded fool

Unless pride reduces you

To the level of pre-school

I wish you could

Once again feel

As those little ones do

When was the last time

You said, I love you!

Your h igh fluting verbiage

It is quite impressive

After all it's most expensive

Sadly however

In regard to results

It's not progressive

Regressive however

Is the appropriate classification

For the single-minded

Seeking individualization

If you could just loosen up

Incorporate feeling

Soon after it would come

Self-actualization and meaning

But you prefer to run

To be like everybody else

Sitting tucked away

On the academic shelf

An academic idiot

With no regard

You shall be called

And the students

Who see through you

Shall remain appalled.

Fear not I say!

Come out from among them

This is your day

Living from the Heart

Is the true and best way.

Do n't blunder colossal

And become an academic fossil.

Paul Davis is a life coach (relational & professional), traveling minister and fitness trainer. Paul is the author of several books including Breakthrough for a Broken Heart; and Stop Lusting. Paul is a popular worldwide keynote speaker, creative consultant, humor being, adventurer, explorer, mediator, minister, liberator and dream-maker.

Paul's compassion for people & passion to travel has taken him to over 50 countries of the world where he has had a tremendous impact. Paul has also brought revival to many in war-torn, impoverished and tsunami stricken regions of the earth. His nonprofit organization Dream-Maker Ministries is building dreams and breaking limitations.

Paul's Breakthrough Seminars inspire, revive, awaken, impregnate w ith purpose, impart the fire of desire, catapult people into a new level of self-awareness, facilitate destiny discovery and dream fulfillment.

Contact Paul to minister, speak at your event or for life coaching: RevivingNations@yahoo.com 407-967-7553.

For additional info: http://www.DreamMakerMinistries.com, http://www.CreativeCommunications.TV


Author:: Paul Davis
Keywords:: educated idiots,Academia,Doctors,Professors,top heavy,big head,Predispositions,Preconceptions,Heart
Post by History of the Computer | Computer safety tips

Orion's Orchard Poetic Prose Dedicated to Brynna Siluk

In the universe, the one that surrounds the world (perhaps the mind as well)—someone once threw a ball—I do believe—somewhere, and it exploded—, somewhat: which slowed everything down a bit, and its thrust (its push, in all directions) is still keeping it airborne: carried by the push that was set in motion (so very long ago); hence, when it loses its momentum, it will crash, I do suppose, and all that is, will be the ball (its substance: what is hanging on to it, in it): that is all that will be left, everything else just: waves, just waves in nothingness what, that one person once made thrust out of; as a result, nothingness and all that it created will come to some kind of a standstill (I repeat)—it has to: for what will carry it? Save, that that someone does not create something else out of some kind of new anything. It’s how it was, how it had to be, how else could it have been: come about to surround the world, with all its t̵ 7;s crossed, and i’s dotted. We normally don’t think this way, lest we want the mind to become mad.

I heard a voice in this dream of my mind, it said, “I am immortal, I sit behind the suns, and I write epitaphs of all, all the living things, then I open up their lips, an endless task it seems at times: the zenith of life comes from nothingness—and I, I hear their dying wish: to remain, to be something; eyeless faces, that is what you all were once, but by My graces so you became, and they become—more.

Orion’s illumed by my side, showers Me like a rainbow with its gasses, breathless orchard: it is the magnificent mocker of the universe: perhaps you would call it such, perchance: Baudelaire’s fantasy; or Poe’s Twilight; or Clark A. Smith’s perilous deep orchards; George Sterling’s musical images, ghostly lights; Dennis Siluk’s murmur, bemused silence; Ellis’ epigrammatic flight of the imaginati on. I touch, only touch (lest I destroy my own makings): only touch beyond its burning drums, into the winds of nothingness—what I created it all from. The horse head: it roars like a volcano, a moat around me; the Universe is like a squeezing viper, a sacrificial rip in all the proportions I’ve carved out of the thrust, as you call it, from the push: I fixed it for you: the watcher from earth.”

#1366 6/5/2006

Comment by the Author: “Here is a cosmic poem of sorts, which I hope you enjoy; I do trust this briefly and vividly will exposes the element of suggestiveness of the beauty of God’s vast universe.”

See Dennis' web site: http://dennissiluk.tripod.com Poeta Laureado de San Jeronimo de Tunan, Peru


Author:: Dennis Siluk
Keywords:: Poetry a nd Commentary
Post by History of the Computer | Computer safety tips

Lima's Devouring Winter Dew a poem with Commentary

Limas Devouring Winter Dew

The mist of the pacific flows cool and fair
On city streets that are far and near
With haunted blows, from Limas shadows.
Ah! Its pale magic mist now fills the air

Here I sit, at El Parquetitos caf
With a splendid delightful cup of coffee
As the phantom sun awakes and sweats
Trying to peek through Limas wintry cloak!

#1376 [7/5/2006 Written at EP Caf, on a pale winter afternoon in Lima [July, Peru; dedicated to Rosa and Enrique, who had the pleasure to look up into this drab misty sky with me in Lima at 1:00 PM. Then after lunch, around 2:00 PM, the sun came out, but our lunch was now over. Wintertime in the central part of Lima is pale; with misty grays a lot of the time. And when the sun comes out, you got to bottle it, or run to it to enjoy the few hours you will have it. Winters in Lima are Pale Dawns all day long, or can be. That is because you sit almost on top of the ocean. In farther out area s of Lima, the sun does come out. So today I was inspired to write about its bleakness, whereas, I normally write about all the positives; yet this can be taken as a positive, because when the sun does come, I parade around like a wild duck trying to suck up all the suns rays I can get.

See Dennis' web site: http://dennissiluk.tripod.com


Author:: Dennis Siluk
Keywords:: Poetry and Commentary
Post by History of the Computer | Computer safety tips

More Winter Poems: of Minnesota

1) December Days (In Minnesota)

The sky, defused with a pale cold mist, it puts on. The Sun peeks up, as it rides Libra, proudly, down.

The birds dont sing at dawn (anymore)gone south. The white pure snows cover all (liken to glistening flowrs.)

Precious are those longing moments of early hours; Youthful barbs singing, chanting, in the back of my head:

Celebrating winters cold days ahead.

#958 12/11/06

2)Waiting at the Caf-bookstore

(Minnesota Winter)

The moon seems to be frozen in the Eastern sky,

High over head, in the dead of winter Sitting in this Caf waiting for my wife

The snowy events of Minnesota, sees from its place

In the heavenly sky (not so far from my home), Seesmy wife leave the Post Office

In this cloudless cold night, waiting on the bus-stop (s)

High overhead wisps cold and frost, against Her throat, breathing out cloudbanks

Breathing out cloudbanks of carbon-dioxide;

Soon shell walkthrough these doors A smile on her face, a huge and a kiss

A chilled wind, still on her cheeks, adjusting to the

Warm air of the cafwoops, here she comes (7:15 PM), Coffee or tea, I say

(shes just smiling).

#957/ 12-10-05 Dedicated to Rosa Pealoza-Siluk

3)Cold Spell

[In Minnesota

While the snow smothers the hazy winter ice,

I stay up watching by the window until midnight What else can I dothere must be something!

My loving wife is fast asleep! Half the night Around my computer I write, think: how long

How long, will this cold spell last!...

#952 12/9/05

4)Winter Edges

The air is fogy. It is early winter The moon is passing through my body. That which made it misty is gone.

(At 6:30 PM, everything is dark; at 9:00 PM, Ill be gone.)

Winter is going to sleep I think, Waiting for morning, Eastward, bound. That which made it misty is gone.

#955 12/10/2005

See Denn is' web site: http://dennissiluk.tripod.com


Author:: Dennis Siluk
Keywords:: Poetry
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Mother I Don't Mind The Pain

I am among those who know that one never recovers from the loss of one deeply Loved. We come to accept the Death and adjust our lives - rather begrudingly, but we do not recover, we survive. Somewhere in the Grief process, we make the decision to survive and then we are emotionally enabled to build a different kind of relationship with our deceased Loved one.

Mother, I Don't Mind The Pain

When you died my dearest, blessed Mother,
I had no sights or thoughts for tomorrow.
My soul experienced a wrenching eruption
Of pain and Grief and excruciating sorrow.

The anguish of spirit: so unbearable;
The agony of mind: so intense,
The Suffering in body: so unceasing,
Against all: I had no defense.

Nevertheless, beLoved, I need you to know,
And I pray you ca n hear what I say.
I don't mind the pain I'm going through.
It's a small price, for our Love, to pay.

We knew that one day we would have to part;
That Death would come by in due time.
We knew how hard it would be for the other,
Who had to courageously linger behind.

But we knew our bond was worth the cost,
And valued each moment together we shared.
Now that I must without you go on,
The pain of my loss I will not be spared.

I wouldn't, if I could, give my pain away.
It's special and mine all alone.
It affirms all the Love that I felt for you,
And in me, it can only be known.

So Mother, though the pain of Grief I endure
Will gradually and slowly subside.
The strength of the Love that you and I share,
In the core of my heart will forever abide.

Rev. Saundra L. Washington, D.D., is an ordained clergywoman, social worker, and Founder of AMEN Ministries. http://www.clergyservices4u.org She is a lso the author of two coffee table books: Room Beneath the Snow: Poems that Preach and Negative Disturbances: Homilies that Teach. Her new book, Out of Deep Waters: A Grief Healing Workbook, will be available soon.


Author:: Saundra L. Washington
Keywords:: Grief,Mother,Death,Love,Suffering,
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Friday, September 23, 2011

I'm Very Angry

I'm very angry because I'm sick and tired of what I see as deception and dishonesty within the literary community. It's been going on for far to long and nobody seems to want to pay attention to it or to care about it.

I love my publisher which is Publishamerica and it's a first rate Publisher however I have seen firsthand with my own eyes individual Authors that meet on discussion boards asking each other to do reviews of one anothers Books that most always turn out to be four or five star reviews.

These people then go on every major Bookseller website and post these reviews and in my opinion decieve customers into thinking these are independant and unbiased ratings of these Books from customers when in fact they are really reviews from friends and fellow Authors who claim to be unbiased but to me it's deception of the highest order and it stinks.

In my mind it should be put to a stop immediately and these Authors should be made to apologize to these web sites and to our publisher for doing what is known as logrolling. That's when friendly Authors positively review one anothers work.

It's a scratch my back and I'll scratch yours method and I don't like it one bit. A friend is more likely to help a friend and say something good even though the work may be bad. Most of these reviews are four and five stars and it's always the same names so look into it on Amazon and sites like this and you'll see these Authors scratching each others backs and careers that comes at the expense of the reader in my opinion.

I have never asked for a review from a fellow author because to me it's unethical to accept a review from a fellow writer that you're friendly or familiar with. My reviews you can be sure will come from honest and independant sources unlike those who support and take part in this logrolling that should be stopped and abhored.

It's time for people to wake up and see the widespread deception in my opinion and w rite to these people in order to put a stop to this unfair practice. It really takes away from and hinders the efforts of honest writers out there who don't seek to falsify anything or cheat the system like some in the business do.

Let's have a call for honesty and fairness and a call to stop these people from what I see as deceiving customers with friendly reviews put out all over the place from their fellow associates and cronies.

Let's show the honest writers out there in the world that we support them and their efforts to put things out to the public in an honest and forthright way and let's put a stop to this pathetic logrolling once and for all.

Jeffrey Michael Miller

Publishamerica Poet


Author:: Jeff Miller
Keywords:: book reviews,jeffrey michael miller,Authors,Books,Poetry,Poets,Publishers
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Federico Garcia Lorca

Born in Fuente Vaqueros near Granada in 1898, Federico Garcia Lorca was the son of a prosperous farmer and a school teacher mother. It was from Lorcas mother that he took most influence in early life she taught him to play music and sing skills that would lay the foundations for the poets sense of rhythm and timing. In 1909 the family moved into Grenada where he would later mingle in artistic circles and wield a great influence amongst his peers. He first studied law at Grenada before moving to university in Madrid to the famous Residencia de estudiantes in 1919.

One year earlier, Lorca had his first collections of poems published, entitled Impresiones y paisajes. It enjoyed critical acclaim without much commercial success. However, now in Madrid, Lorca was to make friends with a great many influential young Spanish artists, two of the most notable being Salvadore Dal who needs little introduction, and Luis Buel, the groundbreaking film maker, who Lorca was to beco me great friends with. 1919 also saw Lorca get his first break on the stage; he wrote and staged his first play: El Melefico de la Mariposa. It didnt go too well and was laughed off the stage after four shows; the incident was to sour Lorcas feelings towards the theatre going public forever.

During the twenties, Lorca improved as a poet and playwright and became increasingly involved in the avant garde movement becoming a key member of generation of 27, a group of poets and artists keen to employ the latest techniques and theories to their medium. In this period he published another three anthologies of Poetry including, probably his most well known work, Romancero Gitano in 1928. His second play, Mariana Pineda had also opened to great acclaim in 1927.

Behind his public success Lorca was strugg ling to keep his private life together and experienced extreme bouts of depression during this period. His friendship with Buel and Dali was becoming strained and his attempts to hide his homosexuality from his family were becoming increasingly thin-veiled. During this period his turbulent and often one-sided relationship with sculptor Emilio Alandrn was also collapsing, adding to Lorcas torments.

In 1930, Lorca left Spain for the USA in order to study English at Columbia University. Lorca was somewhat let down by his first experience of a modern democracy, Americas rampant commercialism and discrimination of minority groups provided Lorca with the fuel to produce some of his most challenging work. His Poetry anthology Poeta en Nueva York and his play El Publico were both penned whilst Lorca was in th e USA; indeed, El Publico wasnt to see the light of day until the 1970s due to the repression of his work under Francos dictatorship.

Garcia Lorcas return to Spain in 1931 coincided with the fall of the Prima Rivera dictatorship and the reestablishment of the Spanish republic. Lorca was asked to head-up a government sponsored theatre company, aimed at bringing classic theatre to rural Spain. During this period Lorca created his celebrated rural trilogy of plays: Bodas de Sangre, Yerma and La Casa de Bernada Alba.

The outbreak of the Civil War in 1936 was to mean an untimely end for Garcia Lorca. Ultimately an independent and free-thinking artist, the specific reasons for his murder still remain something of a mystery. We do know that he left for Granada in 1936 where he was arrested and later murdered by Falangists (who would later go on to commit some of the greatest atrocities of the war) and thrown into an unmarked grave in or around Viznar, near Granada. Anda lusia was the main stronghold of the nationalist movement and some maintain that when Lorca set out to Granada, it was more than likely he knew hed never return alive, especially as his brother in law was the Socialist mayor of Grenada at the time.

Lorca was to become one of the great martyrs of the Civil War and in many respects epitomised the free-thinking opposition to Francos regime. Franco himself wouldnt want to hear mention of the author or the circumstances of his death so Lorcas full oeuvre hasnt really been in print for much more than 25 years.

His undoubted talents place him in the same bracket as Cervantes and he has gone on to become Spains most influential literary figure of the 20th century despite his untimely and, ultimately premature, death at the age of 38.

Mike McDougall has five years experience working as a travel writer and marketeer. He is currently working to provide additional content for Babylon-idiomas, a Spanish language school with an excellent presence in Spain and Latin America.


Author:: Mike McDougall
Keywords:: lean spanish in Spain, learn Spanish in Barcelona, spanish language course, learn spanish
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Long Lost Lovers REUNITED After 30 Years....WOW!

Denny, my husband, and I were high school sweethearts. We found each other after 30 years. We are working on a book about our amazing and romantic tale of Lovers found.

Miracles do happen...

I wrote this poem way before we got back together. A lot of the poems I post of sadness are from the time I was not with Denny and missed him. We have been married for 8 years! I still write and post my sad poems. I have written before how people used to comment about the fact that all of my paintings felt sad to them... and asked my why... I would say, What is interesting about happy? I still think that is true to a point. Who doesn't love a beautiful tragedy? It's romantic and perplexing. I am not sad anymore like this poem written so long ago. But there are moments, and everyone has them. There are also flowers and blue skies with big white puffy clouds to remind us that everything has it's place and is actually in perfect time.

Me Without You

In all my dream s
I never imagined me without you.
I wandered through my life
and I would always see you.
I counted on your timing
your smile
you caught my soul
and found me off guard.
Must you still lean on my soul?
. Pull my insides
'til I lose all control?
and then...
take what becomes a prize to me
and leave me so alone?

Such an expense I paid
finding me without you.
I am off balance
I can hardly breath.
I never included the outcome
of your leaving...
leaving me without you.
I am a broken container.
I bare no excuse.
I cannot stand on my feet
nor hide my despair.
I am the tear in my own eye.
nowhere to start again
no step to begin.
The smell of emptiness
is a smell I cannot bare
a room so vacant.
I loath myself
that I should fall apart so.
As if you were the only person
to verify my breathing
the only cure
to my lapses of continuity
E very part of me
has taken a separate direction.
I awake in the night
alone and empty.

There is nothing more alone
than to wake in the middle of the night
no one to reach out for
no comfort to find.

I am afraid that I will wake
and there will be
nothing left of me.
A collection of clutter
or a speck in your eye
marooned
an after thought.
Reflections that find me
so un-groomed.
Little squares of reason
tiles on the floor.
Ushered in are spokesmen
to declare
part of what I already know.
On every corner
there is sadness
we all know.
In every person
on every occasion
a dimmer glow.
Should it trivialize my ache?
In all my dreams
I never imagined
me...
without you.

note: I won a Juror's Choice Award in the East Hawaii Cultural Center's All Juried Show 2005 for my portrait of Denny a 36x48 oil on canvas. The portrait of Denny is posted on my blog, October 04, 2005 archives and on my website.

About the Author:

Kathy Ostman-Magnusena
Hawaii, United States

Aloha! I am a figurative artist and Illustrator. If you check out my website you will see that I am very prolific in oils. My paintings are collected worldwide. I also do sculpture; images available upon request. I have illustrated for Hay House Inc., Neil Davidson, who was considered for the Pulitzer Prize in feature writing, and several other publications. I also enjoy story writing and poetry. All of the paintings, stories and poems on my blogs and website are written by me.

Check out my website http://www.kathysart.com or one of my blogs at: http://kathysart.blogspot.com/

Aloha


Author:: Kathy Ostman-Magnusen
Keywords:: lost love,love story,Lovers,Reunited,Reunion,love poem,poems of lost love,high school sweethearts
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Spell of the Andes: (in English and Spanish)

Note: written 4-15-05, while driving through the Andes of Peru, from Huancayo to Lima. I sensed I was but an ant, among the mass of stone, earth and foliage of this enchanting, and enduring landscape.

Spell of the Andes
By Dennis L. Siluk
English Version

This is a song of the Andes,

That reaches unto the sky On the slow warm days,
When the Cholos play,

And the river runs low and high.

The towering Andes look down

In the passing of the sun: Im one with the Andes brotherhood

Im a dreamer, with a song.

I came from afar to see her

And how beautiful she really is, With her strong hardness, fresh freedom
O God! How I want to breathe her

In the autumn of my life!...

Versin en Espaol

Nota: escrito 15-04-05, mientras pasbamos a travs de Los Andes del Per, desde Huancayo a Lima. Sent que era solo una hormiga, entre la masa de piedras, tierra y follaje de este encantador y duradero paisaje .

Revelacin de los Andes Por Dennis L. Siluk

(Traducido por Nancy Pealoza)

Esta es una cancin de los Andes,

Que se eleva hasta el cielo En los lentos y calidos das,
Cuando los Cholos juegan,

Y los ros corren altos y bajos.

Los inmensos Andes miran hacia abajo

En el paso del sol: Yo soy uno con los Andes hermanado

Soy un soador, con una cancin

Vine desde lejos para verlo

Y qu hermoso, realmente es, Con su fuerte dureza, fresca libertad
Oh Dios! Cmo quisiera respirarlo

En el otoo de mi vida!...

Again Mr. Siluk is on his travels, at the moment he has just road through the Andes, and wrote his newest Poem, Spell of the Andes. He is a poet who has traveded close to 700,000 air miles, to places throughout the world in search for inspirat ion, and here he has found some. His web site: http://dennissiluk.tripod.com


Author:: Dennis Siluk
Keywords:: Poem
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Difficult Times

I am walking in my normal Life now, Difficult Times ahead. The Times working in my Life, I cannot stretch how far theyll go.
Existed for many generations upon this earth, how many more Times do I have left. I ask for salvation, I ask for strength, the only thing I seem to receive is a loss of wisdom.
My wisdom is strong, my knowledge is deep, I know the simple facts of Life. Many men try to understand what I have to say, but only some take the time to listen.
All I ask is for access back, down the path, into salvation of the mortal The only thing I ever wanted was access to the portal.
My writing strengthens, my heart grows, and it all begins with the path of the Woman and the great love that shows.
She walks, she works, she talks, she speaks, she looks and listens; the Life begins with True Love. Which in essence is the signs of a true dove.
Her hair in the sky, her hair as bright as thy, walking, working and shaking her beauty to the left, to the right, I know now nothing guides me as much as her.

Nick Jacob
http://www.electronicsathome.com


Author:: Nick Jacob
Keywords:: Difficult, Life, Times
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Thursday, September 22, 2011

How to Write Poems That Capture the Heart and Imagination of Your Readers

Poems express ideas, experiences or emotions in a more concentrated form than ordinary Articles, prose or speech. They can Rhyme or be in a rhythmical composition of words. They are one of languages most powerful forms of expression. So how can you write a Poem that truly expounds what you want to say? Here are some key elements in composing and developing the poetic form. Follow these key steps to write a Poem that will capture the heart and imagination of your readers.

Choose the Poetic Rhythm Type

Identify the type of poetic rhythm you will use for your Poem. Three commonly used types include:

Iambic Pentameter a poetic form of five measures or long and short unaccented syllables i.e., to strive, to seek, to find, and not to yield)

Iambic Tetrameter a poetic form of four measures or long and short unaccented syllables

Haiku a poetic form in English of three unRhymed lines of 5, 7 and 5 syllables respectively with a total of 17 syllabl es

Determine the Stanza Type

Identify the verse grouping you will use for your Poem. Three commonly used verse grouping types include:

Couplet two lines that Rhyme one after the other, i.e.,

Twinkle, twinkle little star

How I wonder what you are

Tercet three lines that can Rhyme in different ways

Quatrain a stanza or Poem of four lines often rhyming as abab, abba, or abcb

Choose a Primary Rhyming Pattern

How will the lines of your Poem Rhyme within a stanza? Several different line rhyming patterns can be used especially if your Poem will be a Quatrain. Three simple line rhyming patterns are:

abcb

abab

aabb

Select a Main Theme for the Poem

What is your Poem going to be about? It should focus on one theme or topic such as:

Love

Life

Nature

An Emotion

A Person

Identify the Primary Words to be Used in the Poem

What are some key words you want to use in your Poem? Write down as many as youd like to include in your Poem. Try to use as many as you can comfortably use: Three or four may suffice for a short Poem, while longer words can easily include up to a dozen related key words. Some examples of primary words in a love Poem might be:

Passion

Desire

Loneliness

Beauty

Honesty

Sincerity

These steps will get you started in writing poetry that gets read and noticed and will help set you apart from the word butchers who dont conform to rules or form that can help their poetry writing to excel. For more tips and techniques on composing this most-elusive form of language in context, see the companion article, How to Evoke Imagery, Emotions and Ideas in Writing Poetry That Captures Your Readers Imagination

Prof. Larry M. Lynch is an expert author and photographer offering Web Content Writing Services for top-quality Articles on: Education, Language learning, Salt and Fresh water fishing, exotic foods, South American travel and culture, Ethnic issues Blacks, Latinos, Indian native tribes, Health, Internet business resources and more His work has appeared in Transitions Abroad, South American Explorer, Escape From America, Mexico News, Brazil magazine and hundreds of sites online. For fr*e*e sample Articles and available web content e-mail: lynchlarrym@gmail.com


Author:: Larry M. Lynch
Keywords:: how to write, Poem, Rhyme, Articles, Haiku, Couplet, Tercet, Quatrain
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No Regrets

She quickly turned the sizzling pork in the pan,
And remembered a time or two when the pop of the grease,
Was faster than her Hands.
Well now, She muttered, thats good for a spell.
And down she sat in her overstuffed chair,
Next to the table with her sewing box on top.
She had buttons to sew back on and a rip or two to mend.
And as the pork sizzled and simmered in the pan,
And filled the house with the smell of good cooking,
And as the TV glowed and filled the room with news,
She turned to her sewing, after turning on the lamp.
The room filled with a familiar golden glow of light,
And she flipped her thread holder open to match colors to cloth.
She did the same thing, almost every day, and never tired.
She never tired of the smell of her cooking or he r kitchen.
She never tired of the mundane things she did,
To keep her family fit and running smooth.
She never tired of breaking up the girls from fussing at each other,
And she never tired of her mans and sons masculine ways.
She never got tired of the things that grew all around the house,
And seemed to need her constant care and attention.
She never tired of coming home, to a house that needed painting,
Or the stack of bills that she thought would never get caught up.
She was not the happiest woman in the world, by any means.
But she sat there in her overstuffed chair,
Before the rest of her family came straggling home,
And her eyes wandered around the room and the view outside.
And she thought, I may not have the life of no fancy queen.
But I got to admit, I got not one regret about the life I got.
And about that time her man came banging in the door,
And planted a kiss on top of her head as he headed for h is shower.
And kids came stomping in soon after, fussing and aggravating
And she smiled inside of herself, from the comfort of her familiar life.
And she thought once more, Nope, I got no regrets about the life I got.
And then she went and finished getting the supper on.
Cuz it was dinnertime, and probably her favorite time of day,
Cuz her, and her family, would sit together and smile, and laugh and talk and share
and love each other...

About the Author:

Deborah Coss, has been writing since she was 8 years old, getting published off and on since 15, and finally realized her child hood dream of carrying press credentials when she worked for http://www.womanmotorist.com

She now publishes her own site, www.1kindthing.com She also creates some fine arts, and loves photographer, commneting that she is a social portraiture photographer. In art, she has a very constructionist attitude in art and loves making masks and other 3 dimen sional objects. In photographer, she loves the medium of black and white. A diverse writer, she has published several types of sites for several types of businesses.

On a personal side, she is a survivor of an extremly violent childhood and some serious trauma, including being crushed by a car at age 3 and half. Thus, her site http://www.1kindthing.com, tells of overcoming hardships, in addition to her many other styles of writing. She is a baby boomer, raised in Southern California.


Author:: Deborah Coss
Keywords:: Deborah Coss, sizzling pork in the pan, a time or two, pop of the grease, Hands, overstuffed chair,
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